Jean-Honoré Fragonard
French, 1732-1806

In the 18th century the game of blind man’s buff (or bluff) became the symbolic arena for courtship, chance, and the amorous amusements of lovers (directly relating to the concept “love is blind”). Fragonard, who appropriately sets the scene within a garden, develops the theme of the fleeting nature of youthful love by decorating his composition with spring flowers. As the lover tickles his beloved on the cheek with a piece of straw, a Cupid-like infant brushes her hand with the end of a stick. These teasing gestures are meant to lead or distract the woman to or from the object of her desire. Reaching out to locate her lover, the woman steals a glance from underneath her blindfold and catches our gaze, letting us in on the joke: that she is not as blind or as helpless in this game as her lover suspects.

Oil on canvas, about 175-52
Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey, 1954.43