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Clay vessels and statuettes of bronze and terracotta focus on the art and career of the anonymous artist known as the Berlin Painter.
In 1906 the founders of the Toledo Museum of Art, Edward Drummond Libbey and Florence Scott Libbey, visited Egypt, where they purchased a pair of Egyptian mummies as part of a collection of artefacts. This special installation will trace the history of Egyptian mummies, from their lives and burial rituals in Late Dynasty Egypt to their rediscovery during the Napoleonic era and the resulting Egyptomania for subsequent generations.Explore several intersecting issues for TMA and other cultural museums related to the collecting and display of these fascinating and significant objects, including whose mummies are these, do they belong in an art museum and what can we learn from them?
Fourth in the Toledo Museum of Art’s biennial exhibitions focused on bird-themed art, the exhibition coincides with local birding festival the Biggest Week in American Birding, which brings tens of thousands of birders to the area to observe the spring migration of songbirds. It will be the first time that the Toledo Museum of Art’s first edition of Wilson’s pioneering multi-volume publication has been exhibited.
This retrospective exhibition celebrates the 100th anniversary of TFAS and the century-long tradition of celebrating and recognizing the best artists in the region by TMA. It will showcase more than 20 works of art in a wide variety of media from the approximately 270 works purchased for the TFAS collection over the last 60 years.
To commemorate the 200th anniversary of the Libbey Glass Company and its tradition of excellence in glassmaking, the TMA has organized this major exhibition of glass that shares the story of American ingenuity in glass making.
This exhibition was prompted by the Toledo Museum of Art’s acquisition in 2011 of Frans Hals’s Van Campen Family Portrait in a Landscape, as well as the recent conservation of Brussels’ Three Children of the Van Campen Family. These two works originally formed one composition, separated for unknown reasons likely in the late 18th century or early 19th century. The exhibition reunites the sections of the Toledo/Brussels painting.