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Imagine a warrior’s eyes peering out at you through this Corinthian-style helmet. No doubt that daunting sight often prevented observers from noticing the helmet’s streamlined design or the “Egyptian” shape of its eye-holes that imitated the dark kohl outline used to protect the eyes from harsh glare. After being used in battle, such helmets may […]
Ohara Koson was a master of the kachoga print—images of the natural world, but particularly of birds and flowers. Over his career he produced more than 450 designs of birds. One of Koson’s favorite subjects, the jungle crow was revered in Japanese folklore as a messenger of the gods. Koson’s keen sense of design is […]
African American designer Art Smith frequently used symbols from West African tribal jewelry as elements in his own designs. The solid brass portion of this necklace, for example, resembles jewelry worn by members of the Asante court of Ghana. Smith’s elegant design with its curved forms emphasizes the relationship between body and jewelry.
In the 19th century, the wonders of Colorado’s Rocky Mountains (“America’s Alps”) and the Sierra Nevadas in California were largely known to Americans in the East only through travelers’ accounts and paintings by intrepid artists. Though not the first artist to paint these mountains, Bierstadt’s majestic paintings spurred tourism to the West and helped spark […]
Radio Light uses a specially designed radio transmitter to light the sculpture. The looping tubes of colored glass are filled with mercury and argon gas. The glass is placed on antenna plates that are connected to the radio transmitter by wires. Both the radio and glass need to be tuned to achieve the maximum frequency of […]
Of the “found art” elements of her sculpture, Louise Nevelson said, “I began to see things, almost anything along the street as art…That’s why I pick up old wood that had a life, that cars have gone over and the nails have been crushed…All [my] objects are retranslated—that’s the magic.” See how many “retranslated” discarded […]
Evening is one of five paintings commissioned from Claude-Joseph Vernet by Ralph Howard, later 1st Viscount Wicklow of Dublin, while he was on the Grand Tour of Europe in 1751–52. It is one of a set of four idealized marine paintings depicting different times of day, a favorite theme of Vernet’s.
For more than a decade beginning in 1891, William Merritt Chase ran a school in Shinnecock Hills on the shore of eastern Long Island for the instruction of painting out-of-doors. Here Chase has included his wife and two daughters in a vista of the brilliantly illuminated coast, with the shimmering sea in the distance.
Dr. John T. Biggers was a gifted, narrative artist widely acclaimed for his complex, symbolic compositions based on African American and African cultural themes. Featured in an exhibition curated by University of Toledo students, this brightly colored print uses West African symbolism to play on the metaphor of four African American women who, almost literally, […]
In honor of Mother’s Day, we highlight this portrait of 30-year-old Mrs. Mary Cholmondeley (pronounced in the British style as “Chumley”) and her young, adoring son—one of five children she would have with the prominent Reverend Robert Cholmondeley. Though born into a humble Irish family, Mary commanded social attention in London, where it was said […]