Artwork of the Week

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Dec. 30 Art Minute: Roman, ‘Bust of a Flavian Matron’

Posted on Friday, December 30th, 2016

This sculpted bust depicts an older woman, a matron, gazing off towards her right. The relatively advanced age of the woman is rare for this type of portrait, which can be dated on the basis of the hairstyle. Ornate, corkscrew curls were fashionable for women of the imperial court during the Flavian Dynasty (68–96 CE). […]

Dec. 23 Art Minute: Marisol, ‘The Party’

Posted on Friday, December 23rd, 2016

Long before The Party, Marisol’s largest group assemblage, came to the Museum, it traveled to the Venice Biennale in 1968 as a representative of Venezuela (Marisol was born in Paris to Venezuelan parents). As someone who always felt uncomfortable in the 1960s social scene, Marisol chose to display the figures in a setting where none of them […]

Dec. 16 Art Minute: Harvey K. Littleton, ‘Blue/Ruby Spray’

Posted on Friday, December 16th, 2016

Expanding the limits of glass as an art medium in the 1970s and 1980s, Harvey Littleton focused on sculptural forms. Describing his Crown series in 1978, he wrote, “in search of color in glass sculptures, I went to multiple cased overlays holding the forms to simple geometry.” Blue/Ruby Spray typifies this concept. Separate elements combine […]

Dec. 9 Art Minute: ‘Elizabeth I, Queen of England’

Posted on Friday, December 9th, 2016

Shakespeare’s characters and plays were dependent on patrons who supported the author financially. Elizabeth I loved theatre and was Shakespeare’s most famous supporter. As monarch of England for 45 years (1558–1603), Queen Elizabeth I’s reign, which coincided with Shakespeare’s time, is known as the Elizabethan Age. She understood the importance of the arts to life, […]

Dec. 2 Art Minute: Louis Léopold Boilly, ‘S’il Vous Plaît’

Posted on Friday, December 2nd, 2016

Through colors, styles, fabrics, and renderings, artists often use the representation of dress to give us clues to define nobility, significance, gender expectations, historical context, or socio–economic status of those depicted. Though green was often a color associated with the counter–revolutionary movement in France, the figures in Louis Léopold Boilly’s S’il Vous Plaît wear the […]

Nov. 25 Art Minute: ‘Favrile Fabrique (Linenfold) Library Lamp’

Posted on Friday, November 25th, 2016

Like other lighting retailers in New York, Tiffany Studios offered table lamps with a choice of traditional parchment and pleated silk shades. From 1913 to 1914, the independent designer Henry O. Schmidt (1860–1943) patented a new type of mold-cast glass lampshade panels for Tiffany Studios imitating delicately pleated silk. Under the directorship of Leslie Hayden […]

Nov. 18 Art Minute: Alice Neel, ‘Nancy and the Rubber Plant’

Posted on Friday, November 18th, 2016

In her 1984 New York Times obituary, she was called “the quintessential bohemian.” Overlooked by the art establishment until the final decades of her long career, Alice Neel is now regarded as one of the great painters of the twentieth century. Neel’s portraits of friends, family, and acquaintances are arresting in their ability to simultaneously […]

Nov. 11 Art Minute: René Lalique, “Poppy Necklace”

Posted on Friday, November 11th, 2016

The flowing curves and naturalism of this expressive floral pendant define it as a quintessential jewel of the Art Nouveau style. It was designed and produced by the French artist-jeweler René Lalique, who had operated a studio in Paris since 1890. Trained in Paris and London within the rigid practices of the nineteenth-century goldsmith’s trade, […]

Nov. 4 Art Minute: Andrew Wyeth, ‘The Hunter’

Posted on Friday, November 4th, 2016

In The Hunter, painted as an illustration for the cover of The Saturday Evening Post and the work that brought the artist to national attention, Wyeth used a startling and unusual point of view—that of the hunted bird—to give this otherwise ordinary scene of a hunter in a fall landscape a heightened sense of drama. The viewer is […]

Oct. 28 Art Minute: John George Brown, ‘The Country Gallants’

Posted on Friday, October 28th, 2016

As industrialization and urbanization changed the landscape and society in the mid-1800s, America’s past became the object of romantic nostalgia. Scenes of simple, idealistic rural life like this one were sought by middleclass city dwellers. Born in England, but settling in New York in 1853, John George Brown was one of the most successful painters […]